A book like this has been long overdue for reframing the discourses and assumptions that guide contemporary playwriting. The book offers students and theater practioners alike a wide assortment of viewpoints about how to decolonize and diversify their craft. Insight essays, practical tips, and engaging debates abound in this exquisitely currated anthology. To understand today's dramaturgy from a more global and multicultural perspective, it is necessary to unpack the models of the status quo; in their place, this book highlights dramaturgical views rooted in the theater of, variously, Japan, The Philippines, Zimbabwe, Cuba, many different Indigenous peoples, eco-centric traditions, docudrama, and much, much more. This book is both an implicit critique of the white hegemony of the American theater and a valuable toolkit of new and innovative approaches for creating plays. Highly recommended for anyone interested in learning about playwriting and dramaturgy; it is sure to become a classic in its field!